Marin Alsop
In 2007, Marin Alsop became music director of the Baltimore Symphony, making her the first woman to head a major American orchestra. She was named a 2005 MacArthur Fellow, the first conductor ever to receive the award. Between performances, she appears as an occasional guest on Weekend Edition Saturday and as a commentator for NPR.org's Marin Alsop on Music column.
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The groundbreaking conductor — the first woman to lead a major American Orchestra — reflects on 14 years as music director of the Baltimore Symphony.
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Conductor Marin Alsop muses on the power of ballet and her memories of watching choreographer George Balanchine bring the music of Tchaikovsky to life with the New York City Ballet.
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At a time when we have become immune to shock and where hyperbole rules, Marin Alsop argues that Mahler's Sixth Symphony provides the perfect soundtrack.
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After 25 years directing the contemporary music festival in California, Marin Alsop bids farewell with Lola Montez Does the Spider Dance, a new piece composed for her by John Adams.
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Baltimore Symphony Orchestra Music Director Marin Alsop muses on both the Russian and American sides of Sergei Rachmaninoff and his Third Symphony.
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Conductor Marin Alsop explains how her mentor, Leonard Bernstein, probes the essential questions of humanity in his comic operetta Candide.
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After he was publicly denounced, Shostakovich rebounded with the compelling and calculated Symphony No. 5. The music supplied a soundtrack for the Soviet people and satisfied the apparatchiks.
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Mystical Russian composer Alexander Scriabin saw music, heard colors and wrote music that goes from ecstasy to frenzy. Baltimore Symphony conductor Marin Alsop explores Scriabin's best-known piece.
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Inspired by Shakespeare, Mendelssohn captures all the magic and frivolity in the music he wrote for the Bard's otherworldy play.
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An action thriller of a symphony, Mahler's First is piled high with ambition, self-reflection and fear. Conductor Marin Alsop shares her approach to Mahler's multilayered music.