David Edelstein
David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.
A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).
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A jazz keyboardist and an aspiring actress fall in love in Damien Chazelle's new romantic musical. Critic David Edelstein says La La Land features thrilling chemistry and magical music numbers.
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A new biopic takes audiences into the White House in the days following JFK's assassination in Dallas. Critic David Edelstein says Jackie conveys both the shyness and slyness of Jacqueline Kennedy.
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Casey Affleck is a man returning to his hometown to bury his brother and reconnect with his teen nephew in Manchester by the Sea. Critic David Eldestein calls the film draining, but also worth seeing.
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Amy Adams plays a professor tasked with talking to eight-tentacled aliens in Denis Villeneuve's new film. Critic David Edelstein says Arrival is a strange and tantalizing puzzle.
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Gibson's new movie tells the story of the first conscientious objector to receive the U.S. Medal of Honor. Critic David Edelstein says Hacksaw Ridge is the work of a remarkable filmmaker.
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Though he's known for making quasi-horror films, director Park Chan-wook's latest movie is a melodrama set in 1930s Korea. Critic David Edelstein says The Handmaiden is fun and full of twists.
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The animated film Tower revisits the day, in 1966, when a gunman began shooting from the clock tower at the University of Texas at Austin. Critic David Edelstein calls the movie "extraordinary." -
The new movie, which tells the story of Nat Turner's 1831 slave revolt, is a righteous-vigilante tale — and an answer to D.W. Griffith's 1915 film of the same name.
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Andrea Arnold's new movie about a teenage girl who takes up with an unusual group of salespeople won a the Jury Prize at Cannes this year. Critic David Edelstein calls it a "wonderful" film.
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Critic David Edelstein says that despite its irresistible plot, Antoine Fuqua's remake of the 1960 classic Western is ultimately "just another formula revenge picture."
