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Pat Dowell

  • Lewis, whose comedic duo with Dean Martin launched him to the peak of showbiz, starred and directed in dozens of films. He was perhaps just as famous for his charity work fighting muscular dystrophy.
  • Godard, who has been making films for more than half a century, shared the 2014 Jury Prize at Cannes for his 3-D film, Goodbye To Language. He likes 3-D, he says, because "there aren't any rules."
  • The star of Blue Velvet follows up her Webby-winning Green Porno series with another cheeky look at animal behavior. In Mammas, she channels mothers of many a species, challenges the belief that mothers are universally self-sacrificing — and eats an offspring or three.
  • The film The Act of Killing is the most talked about movie of the year. It's a film that is both fiction and nonfiction. Filmmaker Joshua Oppenheimer talked to the old men in charge of the death squads in Indonesia in the 1960s that killed somewhere between 500,000 to 2 million civilians in the name of thwarting communism.
  • The new film from the director of Man on Wire and Project Nim, James Marsh, is a fiction film about the period toward the end of the Troubles in Northern Ireland. It stars Clive Owen and up-and-comer Andrea Riseborough.
  • Alfred Hitchcock is best known for suspense films like Psycho and Vertigo, but the British director actually began his filmmaking career during the silent era. The Hitchcock 9 is a collection of his silent films, and the only way to see them is the old way — going to the theater.
  • British filmmaker Sally Potter gained worldwide attention with her 1992 film Orlando. Like all of her movies, it was unconventional in its story and structure. Her new film, Ginger & Rosa, is more realistic and direct.
  • Leviathan is a new film that's a documentary, and yet not quite a documentary. The mostly wordless art piece uses tiny cameras and dramatic soundscaping to probe the edges of human-animal interaction off the coast of New England. The filmmakers explain their unusual production process.
  • When it was released in the early '60s, Shirley Clarke's controversial film about heroin addicts got shut down by New York police after two screenings. Now, a half-century later, audiences get a second chance to see the newly restored movie in theaters.
  • The legendary experimental filmmaker's work is the subject of a career-spanning retrospective at the Contemporary Arts Museum in Houston. VanDerBeek merged collage-style filmmaking with new technology throughout his career.