Listener-supported KSUT delivers NPR News and Music Discovery for the Four Corners, on-air and online, from its studios on Southern Ute lands in Ignacio, Colorado.

KSUT is an independent, non-profit organization governed by a Board of Directors and is not a tribally owned station or service.

© 2026 KSUT Public Radio
NPR News and Music Discovery for the Four Corners
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

In Few Words, The 1975's 'TooTimeTooTimeTooTime' Asks Us To Slow Down

The 1975's A Brief Inquiry Into Online Relationships — now set to be released sometime in November (not October as previously reported) — promises to be as sprawling as its title and as thoughtfully rambling as Matty Healy's diary-scratched poetry. The first track we heard from it, "Give Yourself a Try," featured Healy's hypercritically self-aware message to millennials. The bombastic, Kanye-Trump referencing synth-pop song, "Love It If We Made It," followed, ultimately trying to find hope in a relentless news cycle.

Now comes "TooTimeTooTimeTooTime." And despite its stylized title it's the most conventional of the album's three singles, if anything by the British pop band can be called remotely ordinary. The three-minute pop song keeps close quarters with few words and a soft, but insistent four-on-the-floor, swept about by a carousel of fuzzy synth textures.

"TooTimeTooTimeTooTime" seems to play with the album's slowly unfurling theme of how we communicate in the modern age. It quietly illuminates the nerves that are nailed into a delicate to-and-fro with a crush who maybe has eyes elsewhere: "I think we need to rewind / You text that boy sometimes!" But as Healy sings the word "time" 16 times in one form or another, its repetition becomes a reminder to slow down when those fluttery feelings are so desperately sped up.

Copyright 2021 NPR. To see more, visit https://www.npr.org.

Lars Gotrich is the editor of Tiny Desk and Tiny Desk Radio, a nationally broadcast program based on the beloved live concert series. He’s produced performances at the Desk by Paramore, GWAR, Amy Grant, Turnstile and Goo Goo Dolls.