Ned Wharton

Ned Wharton is a senior producer and music director for Weekend Edition.

At Weekend Edition, Wharton helps to supervise music continuity for the show, keeps tabs on what's new and noteworthy in the music world and produces many of the artist features heard on the program. The highlight of Wharton's role at NPR is the chance to meet—in person or over a satellite link—some of his musical idols, including Brian Eno, Joni Mitchell, Richard Thompson, Laurie Anderson, and Peter Gabriel and the opportunity to spark the careers of lesser-known musicians, like surf-noir band Big Lazy or the terrific Maine singer/songwriter Carol Noonan.

Wharton's work for Weekend Edition includes production of sound-rich news features. As a field producer, he traveled with former Weekend Edition Sunday host Liane Hansen to Egypt for a series of pieces on climate change. They also reported from Louisiana in the aftermath of Hurricane Katrina, and covered the economy and culture of Michigan's Upper Peninsula.

For Weekend Edition Saturday, Wharton took to the sky with host Scott Simon and combat veterans in vintage jets for a feature on the Wounded Warrior program. Wharton produced several of Simon's signature music chats with Baltimore Symphony Music Director Marin Alsop.

Wharton joined NPR in 1989 to work as an arts editor/producer for the daily classical music program Performance Today.

Before coming to NPR, Wharton worked at NPR Member Station WNYC in New York, where he hosted the music program Mixdown and chamber music concert broadcasts from the Frick Collection, produced music features, and filled in on various and sundry classical shifts. Earlier in his career, Wharton spent a year in Paris hosting and producing "New Directions in Europe," a 13-part series highlighting new music activity in France, Germany, and Italy.

Outside of radio, Wharton has worked as a record producer. His credits include the album gListen by the New York-band Songs from a Random House (Bar/None Records) and I Heard It on NPR: Singers, Songs & Sessions, a collection of live performances recorded in NPR's Studio 4A. He served as a panelist at the South by Southwest music festival and at the NON-COMMvention, a radio and music industry gathering.

Wharton remains loyal to his North Dakota roots, serving on the Board of Trustees at the International Music Camp at the Peace Garden on the Canadian border.

Wharton's radio career began at his college station, KFJM in Grand Forks, North Dakota. He graduated with a degree in speech and an emphasis in radio and minors in music and French.

James Taylor has been a household name for a long time now. Taylor was just 20-years-old when he released his self-titled debut in 1968; in the half century since then, he has sold over 100 million albums and cemented his status as one of the most successful American singer-songwriters.

Quinn Christopherson won 2019's Tiny Desk Contest, but many of the other 6,000-plus entries impressed and moved the contest's judges. This summer, Weekend Edition continues to spotlight some of the stand-out contestants.

Quinn Christopherson is the winner of the 2019 Tiny Desk Contest, but there were many other outstanding performances among this year's 6,000-plus entries. Weekend Edition will highlight just some of those over the coming months.

Back in 1967, Bobbie Gentry sang a haunting ode to young love and sad endings in the deep South called "Ode to Billie Joe." That song, about a mysterious occurrence on the Tallahatchie Bridge, was the No. 1 song in America for several weeks. A year later, Gentry released a country-rock opera, The Delta Sweete. It hardly sold at all — but has since become a favorite of collectors and musicians.

Rosanne Cash has been performing since she was 18. She had her first No. 1 country hit in her mid-20s, and in the decades since, has created a rich Americana catalog that explores love, loss, family, and place.

Her latest album, She Remembers Everything, is a collection of personal songs all written or co-written by Cash. She spoke about it with NPR's Debbie Elliott; hear the radio version at the audio link, and read on for an edited transcript.

LULU GARCIA-NAVARRO, HOST:

The daylight is dwindling away. The solstice arrives on Friday. So let's listen to some warming songs from Eastern Europe that celebrate the season upon us.

(SOUNDBITE OF SONG, "MOMCI KOLEDARCI")

KITKA WOMEN'S VOCAL ENSEMBLE: (Singing in Bulgarian).

Since the late 1960s, NPR's Ned Wharton's brother Geoffry Wharton has worked as a professional violinist in Europe. Wharton often played jazzy pieces by a rather obscure composer named Audrey Call as encores. Maybe to Europeans it was the exotic sound of jazz being played at classical concerts that won their hearts, but Call's "Witch of Harlem" became a hit within Wharton's performances.

Over two decades ago in 1997, when violinist Hilary Hahn was 17, she made a celebrated recording debut, Hilary Hahn Plays Bach. That year, Hahn told NPR about her enthusiasm for Bach's music.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

RENEE MONTAGNE, HOST:

Every piece of music produced is a roll of dice for success, but sometimes, the stars just align. The music of George and Ira Gershwin, two of the greatest American songwriters of all time, have been given new life once again by two of the greatest jazz artists of all time, Diana Krall and Tony Bennett.

They might not recognize it on sight, but fans of Raul Malo and his group The Mavericks will know it when they hear it: the beautiful, unmistakable tone of Malo's shiny white Gibson L-5 Studio, complete with gold Bigsby tremolo and a black-and-white speckled pick guard.

It's hard to imagine an artist more steeped in the culture of New Orleans than Troy Andrews, better known as Trombone Shorty. Andrews grew up in the Tremé, a neighborhood that's become practically synonymous with brass-band music. At age 4, he marched in the street with his brother's band; by 13, he was playing in the New Birth Brass Band. He's also donated instruments and founded the Trombone Shorty Foundation to help pass along New Orleans' musical culture to a new generation.