
Grayson Haver Currin
[Copyright 2024 NPR]
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An arthritis diagnosis means the latest album by the Bay Area band The Dodos is likely its last. It is a striking reminder of the oft-overlooked physical strains of music careers.
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At 54 years old, the dance music superstar has shifted more of his time and money toward animal rights activism and philanthropy. Does he have to change himself if he wants to change the world?
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No, songs addressing climate change aren't new. But the new music that does seems animated less by a sunny streak of mainstream activism, and more by a certain feeling we all seem to be sharing.
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A year ago, doctors told the Grammy winner he had less than a year to live. The new The Gospel According to Water, his most poignant album ever, is another second chance in a career full of them.
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Ross Shapiro built hooks that betrayed both sardonic armor and a soft heart. Double Coda collects two decades worth of Glands demos and recordings.
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Roy Montgomery's ambient guitar symphonies foreground the voices of Circuit Des Yeux's Haley Fohr, Julianna Barwick, Grouper's Liz Harris and others.
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What best differentiates Salsburg from his field is the incandescence of his playing, or the feeling that he writes and plays guitar largely because he loves the work as much as he does the results.
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Punchlines or saviors, champions or charlatans, leather-gloved posers or earnest bleeding hearts: Deafheaven has become one of its generation's most divisive bands.
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For one writer, the Dave Matthews Band was a gateway to progressive politics in music. On its first album in six years, the group seems like it's sheltering in place.
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Indie rock's most in-demand harpist conjures a veritable sky of sound on her third album.