Tom Moon
Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.
He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.
A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.
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Taking notes from Kanye West and Solange Knowles, Dirty Projectors latest album Lamp Lit Prose is for the bounce back after a breakup.
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One third of Crosby, Stills and Nash opens up his vaults on this two-disc anthology.
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Nobody witnessing the turmoil of 1968 was waiting around for a salve like "The Weight" — or could have predicted how fundamental those songs would become.
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Kadhja Bonet grew up in a family surrounded by music — she learned to play the violin and the viola, studied music theory, but then pursued a degree in film. After graduating, she dove back into music. Her sophomore album, Childqueen shows Bonet's idiosyncratic talent.
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Singer-songwriter Joseph Arthur and guitarist Peter Buck of R.E.M. navigate getting "woke" together on their first collaboration.
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The classically trained Bonet plays nearly every instrument on this shapeshifting R&B marvel.
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It's been 50 years since Morrison released his classic album Astral Weeks. In April he released his 39th studio LP, You're Driving Me Crazy, and it is feisty from start to finish.
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The 71-year-old raconteur returns to the old songs and inhabits the guises of death-haunted bluesmen to speak to the issues of the current era.
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Inspired by J.S. Bach, jazz pianist Brad Mehldau alternates originals from Bach's Well-Tempered Clavier with his own reinventions.
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Both Sides Of The Sky culls music from sessions recorded after 1968's Electric Ladyland.