Robin Hilton

Anyone who's seen Torres perform live (or listened to her 2015 sophomore Sprinter) knows what a confrontational force she is. She quietly rages, maybe seethes, on stage, with the kind of intensity that can leave fans both rattled and transfixed. It's like watching storm clouds rise and darken, captivated by their beauty while knowing that at any moment they could swirl out of control and turn into a full-blown cyclone.

Protomartyr doesn't make music for the casual listener. Over the course of four full-length albums, the Detroit-based band has produced a collection of lyrically dense, deeply philosophical (and usually very loud) songs that grapple with some of life's thorniest questions: What does it mean to be human? What is truth? What is the nature of good and evil?

Protomartyr lead singer and lyricist Joe Casey is, to say the least, a seeker — an existential traveler in search of a higher state of consciousness and meaning in an often callous, senseless world.

Composer Hans Zimmer and Radiohead have teamed up to reimagine the band's song "Bloom," taken from 2011's The King of Limbs. The new version, much slower and sparer than the original, has been retitled "ocean (Bloom)" and was recomposed to soundtrack the upcoming BBC documentary Blue Planet II.

Radiohead shared a trailer with the music this morning on Twitter.

"Open your mouth wide," sings Radiohead frontman Thom Yorke over stunning, underwater footage of sea life. "The universal sigh / And while the ocean blooms / It's what keeps me alive."

It's hard to think of an artist who's brought more joy to more people, across more generations — and in more ways — than Steve Martin. In the 1970s, he won the hearts of young children for his playful appearances with The Muppets while simultaneously charming legions of older fans with his subversive standup routines. Later, as an actor, he wrote and starred in some of the most memorable comedies (and a few dramas) of all time, while writing books, plays and even a Broadway musical.

In a posthumous new video for Leonard Cohen's "Leaving The Table," an animated paper cutout of the late singer dances and flies over a cityscape of Montreal, free as a bird, untethered from the mortal world.

Björk's latest song, like much of the Icelandic singer's work, is strangely seductive. "The Gate" heaves and sighs with spare arrangements of strings and woodwinds before expanding magnificently in a bloom of warped electronics that sound a lot like the work of dubstep artist Burial.

"I care for you" Björk trills, over and over. "Split into many parts / Splattered light beams into prisms that will reunite if you care for me."

Half-Light, the debut solo release from former Vampire Weekend producer and multi-instrumentalist Rostam Batmanglij, is one of the year's most arresting albums. Its breathtaking choral and string arrangements, idiosyncratic beats and intricate wordplay make it practically impossible to hear without giving it your undivided attention.

Few traumas in life feel as suffocating or isolating — or are as relatable — as enduring a broken heart. The shallow breaths and loneliness can be overwhelming. For Depeche Mode frontman Dave Gahan, it's not unlike a solo journey through the deepest, darkest reaches of space, or walking alone in an empty city.

Okovi, the latest full-length from Zola Jesus, is a monstrously tortured album, built with densely layered grief and pain. Nika Roza Danilova, who's been writing and recording as Zola Jesus since releasing her debut in 2009, bares her most vulnerable thoughts and feelings as she sings about serial killers, suicide, crushing depression and fear. At times, even Danilova admits the songs are hard to hear.

Singer Dave Matthews, who formed his band in Charlottesville, Va. in 1991, will host a benefit concert for the city following last month's violent protests there. Justin Timberlake, Ariana Grande, Pharrell, Chris Stapleton, The Roots and Brittany Howard of The Alabama Shakes are slated to perform, along with other not-yet-named special guests.

After three years of trickling out singles, Beck has finally announced Colors, a new full-length due out this fall. His latest track, "Dear Life," channels Beach Boys harmonies and the barrel-house piano of classic Beatles songs like "Martha My Dear" or "Lady Madonna."

Grizzly Bear's new album, Painted Ruins, isn't overtly political — it isn't built on any easily identifiable observations of a troubled world. Still, at times it seems to speak directly to events that have unfolded in recent weeks, from the saddening violence in Charlottesville, Va. to political tensions with Russia and North Korea, thriving as it does on examinations of paranoia and fear of the unknown, of loneliness and isolation.

It's been a little over a month since Bob Boilen and I have sat together and shared some essential tunes, but we're back with some keepers, including a new, swoon-worthy song from singer Julien Baker and a beautifully infectious track from The Pains Of Being Pure At Heart.

On Monday, we'll turn the All Songs Considered 24/7 stream into a giant mixtape to score the solar eclipse and we want your help. With the form below, tell us what song you'd listen to while watching the sun disappear behind the moon and day turn to night.

Wilco has released a new song against ignorance and violence in the wake of last weekend's unrest in Charlottesville, VA. The track, called "All Lives, You Say?" is a short country shuffle that takes aim at the slogan "All Lives Matter," designed as a counter-protest to the Black Lives Matter movement.

Tori Amos has always been a diviner with musical and spiritual roots deeply planted in the natural world, drawing both inspiration and metaphorical lessons from Mother Earth. In April, when she announced her next full-length, Native Invader, she called it an album that "looks to Nature and how, through resilience, she heals herself. The songs also wrestle with the question: 'What is our part in the destruction of our land, as well as ourselves, and in our relationships with each other?'"

Few singers can command an audience's attention quite like Albin Lee Meldau. When I first saw him perform, at a church in Austin, Texas during South By Southwest last March, it felt like the entire audience was on the edge of its seat, hanging on every twisted word. His voice is breathtaking, soulful, thunderous and impossible to ignore.

Back in 1992, singer k.d. lang released a record unlike any other. Ingénue slithered against the popular music grain with songs that drew slow, deep breaths and sighed seductively. It had an alluringly divergent sound that landed somewhere in a blurry nexus of pop, country and global folk, with accordions, clarinets and Eastern European flourishes.

Composer Michael Andrews started writing music for movies back in 2001, when he scored the now-cult-classic film Donnie Darko (which included Andrews' haunting arrangement of the Tears For Fears song "Mad World"). His simple, brilliantly rendered songs perfectly reflected the movie's surreal narrative with moments that were both comical and creepy.

Haim's sophomore full-length, Something To Tell You, is a straight-up relationship record at its core, with all the angst, heartache and defiance that can erupt when lives coalesce and collide — with the added complication of being in a full-time, touring and very successful band. It's an exploration through the various stages of grief, from the denial in "Nothing's Wrong" to the bargaining of "Ready For You," or the anger of "Found In Silence."

Pages