Music

Music

Tim Hecker comes from a long line of unlineal composers, like François Bayle and Daphne Oram, where a source material — be it guitar, piano, synths, field recordings — is manipulated into new shades of sound via digital processing.

Newport Folk Festival's setting on Rhode Island's historic Fort Adams offers a panoramic view of the picturesque Narragansett Bay and the Claiborne Pell Bridge. Though a steamy summer fog hung over the Fort Stage hindering visibility as Tiny Desk Contest winner Fantastic Negrito, a.k.a.

In early April, when Channel Tres' debut single, "Controller," was pinged into my email by his label co-head and the song's co-songwriter, Nick Sylvester of the independent label Godmode, it had the benefit of landing with zero expectations attached; no associative "sounds like," no particular publication or blog or influencer or publicist pushing connections into the brain. We ended up premiering the song.

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We recently put out a call asking listeners to share their thoughts about the songs on Courtney Barnett's latest album, Tell Me How You Really Feel, and other tracks from her rich lyrical catalog. On this week's show, we share some of those listener stories and thoughts, and Courtney talks about what inspires her, the creative process and how her music can be interpreted.

Listen to the full interview with the play button at the top of the page and read edited highlights below.

On July 30, as part of our series Turning the Tables, NPR Music published a list of the 200 greatest songs made by women and non-binary musicians who debuted on or after Jan. 1, 2000. Today, Ann Powers examines that list's immediate forebears: artists whose careers began in the late 1990s but whose influence carried well into the 21st century.

Last year, NPR Music picked the 150 greatest albums made by women for the first year of the Turning The Tables series, an ongoing project dedicated to recasting the popular music canon in more inclusive ways.

Vivendi, a French media conglomerate that is the parent company of the world's largest record label, Universal Music Group, announced during its half-year financial review that it plans to sell up to half of the share capital of the label group. UMG is the parent company is several noteworthy labels, including Capitol Music Group (and its landmark Los Angeles tower), classical label Deutsche Grammophon and the pop powerhouse Republic Records.

Until last Thursday, violinist William Preucil was one of Cleveland's most lauded and visible music stars. For more than two decades, he has served as concertmaster of the Cleveland Orchestra, one of the top orchestras in the U.S., while teaching at the prestigious Cleveland Institute of Music (CIM) conservatory, where he was a nationally known instructor. Prior to joining the Ohio symphony, Preucil was the first violinist in the Cleveland Quartet, which won a Grammy during his tenure.

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It's easy to throw the word legend around when you talk to musicians who regularly appear on World Cafe. So when a real legend shows up, you've run out of superlatives.

Courtney Barnett just turned 30, and she’ll be the first person to tell you she doesn’t have it all figured out yet.

The singer-songwriter from Melbourne, Australia describes herself as shy. But her music is brave. Barnett tackles issues that are tough to talk about — let alone sing about — candidly like mental illness, misogyny and existential ennui.

Tuck and Patti need no more than each other and a guitar to make magic. Married and making music for nearly 40 years, Tuck Andress and Patti Cathcart perform as one with his masterful guitar playing and her fluid, free vocals.

This Newport Folk Festival set from Lucius, their fifth, is maybe most poignant yet.

Accompanied by members of yMusic, students from the Berklee College of Music on strings and J. Blynn, along with Lucius regulars Jess Wolfe, Holly Laessig, Dan Molad, and Peter Lalish. The group also incorporated choreography into the set, with the dancers known as The Seaweed Sisters.

Flasher are a rock trio where the crafted details of its songs aren't buried by a clear love of noise. But for its visit to the Tiny Desk, this young Washington trio set aside the distortion and worked up a semi-acoustic set of three songs — taken from its debut album, Constant Image, released on Domino in early Junewith vocals made central; voices sometimes in unison, sometimes swapping leads, adding a shifting point of view to songs that, on record, give equal footing to a precise noise.

Last year, NPR Music introduced Turning the Tables, a list of the greatest albums made by women in the classic album era. Today, the second iteration of the list concentrates on the 200 greatest songs by women and non-binary artists in the new millennium.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

RACHEL MARTIN, HOST:

Last year, NPR Music issued a correction to the history of popular music with our list of the 150 Greatest Albums Made By Women. This year, we sought to capture a new canon as it's forming with our list of The 200 Greatest Songs By 21st Century Women+.

In 2014 I listened to "Dancing On My Own" by Robyn every day for 24 straight days. I wasn't alone; four of my friends did it, too. We were on a road trip, driving from Massachusetts to the west coast, down through California and back again. Someone put Robyn on the car stereo the first night of our trip, on a whim. This was four years after the song came out — just enough time for it to have faded into that somewhere between short- and long-term memories. I had maybe listened to the song a handful of times in the intervening years.

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