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Hear the new CD fom The Head and The Heart, Signs of Light, on the Four Corners Feature CD

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KSUT is featuring the latest release, Signs of Light, from Indie-folk rockers The Head and The Heart, Friday 9/30 at noon.  In 2014, after four years of non-stop touring, the six members of the Head And The Heart pointed their individual compasses to new cities, new relationships and new adventures. Pianist Kenny Hensley learned to fly planes and enrolled in kung-fu training in China, while bassist Chris Zasche packed up a camper and went off the grid in the Canadian Rockies. Drummer Tyler Williams put down stakes across the country and immersed himself in the burgeoning music scene in Richmond, Va., while vocalist/multi-instrumentalist Charity Rose Thielen honed her compositional skills by writing for such legends as Mavis Staples.

That renewed sense of purpose can be felt throughout Signs Of Light, the group’s first release for Warner Bros. Records. “This album isn’t about us now having achieved our dreams,” says Thielen. “The day we started being able to live off our art was the day we achieved our dreams, in my mind. This is the album where we really fell into our true voices as those artists.”

Recorded in Nashville with producer Jay Joyce (Eric Church, Cage The Elephant), Signs Of Light, crackles with the upbeat, sing-a-long energy of the Head And The Heart’s finest work. Lead single “All We Ever Knew,” which was written during the “Let’s Be Still” era but never captured to the band’s satisfaction until now, is sure to be a crowd-pleaser, while “Turn It Around” seems primed to be a future concert staple, matching its inspirational message with a lush and multi-layered soundscape.

The Head And The Heart’s 2011 self-titled debut album captured a nascent but undeniable creative partnership between six strangers thrown together by little more than a shared love of music. It became one of Sub Pop Records’ best-selling debut releases ever, and rocketed the band to acclaim well beyond its then-home base in Seattle. The formative experiences that followed both on and off the stage heavily informed the 2013 follow-up “Let’s Be Still,” which continues to remind Russell of “the stale beer, bleach and potato chips from all the venues we saw once this became our livelihood.”

On Signs Of Light, that gamut of emotions is felt most deeply on the Josiah Johnson-penned title track, which none of the other members had ever heard until they happened to walk in on him playing it over and over at the piano during pre-production in El Paso, Texas. “It was one of those moments where no one talks,” Russell remembers. “No one needs the chords; no one is looking up. You simply pick up your instrument and play. The next thing you know, nearly 10 minutes have gone by and you have no idea how or why or what just happened.”