If you saw Stephen Tobolowsky on the street, you might think you know him from somewhere. The character actor has appeared in over 100 films and TV shows, with recurring roles in Heroes, Deadwood, Glee and now The Mindy Project.
In his memoir, The Dangerous Animals Club, Toboloswky charts the highs and lows of life as a character actor. Some of his roles have been so small, he says, his characters didn't even have names — as, for example, with his turn as "Buttcrack Plumber."
I have a quibble with the title of David Skinner's new book, The Story of Ain't. In fact, that pariah contraction plays only a supporting role in the story. The book is really an account of one of the oddest episodes in American cultural history, the brouhaha over the appearance of Merriam-Webster's Third International Dictionary in 1961.
Paul Thomas Anderson (left) works with actor Joaquin Phoenix on the set of The Master.
Credit Phil Bray / The Weinstein Co.
Navy veteran Freddie (Phoenix) falls under the influence of cult leader Lancaster Dodd (Philip Seymour Hoffman) in Anderson's film, which critic Ella Taylor describes as "one of the most twisted father-son tales ever told."
For Paul Thomas Anderson, moviemaking is not just an art; it's also about time management.
"At its best, a film set is when everybody knows what's going on and everybody's working together," he tells Fresh Air's Terry Gross. "At its worst, [it's] when something's been lost in communication and an actor's not sure how many shots are left or what's going on, and the makeup department's confused."
In 1978, it seemed that every kid in Britain wanted to be in a punk band. But in Birmingham, that blighted industrial scar in the middle of the island, there wasn't much punk to be seen. The oasis was a club called Barbarella's, and that's where Dave Wakeling and Andy Cox hung out.
At age 66, Neil Young has taken the advice of his doctor and stopped smoking marijuana — though he's not "making any promises," he says.
The Canadian singer-songwriter and guitarist has a new memoir titled Waging Heavy Peace, in which he talks about his music, family and medical conditions, including polio, epilepsy and a brain aneurysm. In the book, he describes a particularly painful procedure he went through, which has since been banished.
In the fall of 1989, I was walking down a London street when someone handed me a flier that asked, "Should Rushdie Die?" The following afternoon, I headed over to the Royal Albert Hall to hear that question answered by a renowned Islamic scholar.
Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Right now, as we near the end of the 2012 fall TV premiere week, there's a tendency for a sense of weariness to set in. So many of the new TV series are so bad this year, and not one of them is outstanding. It tends to get a little depressing.
But then you think about the rich bounty of returning series, and how good television drama has gotten lately, and there's cause to rejoice all over again.
I adore time-travel pictures like Looper no matter how idiotic, especially when they feature a Love That Transcends Time. I love Somewhere in Time with Christopher Reeve and Jane Seymour, The Time Traveler's Wife, even The Lake House with Keanu Reeves and Sandra Bullock in different years sending letters through a magic mailbox. So terrible. So good. See, everyone wants to correct mistakes in hindsight, and it's the one thing we cannot do. Except vicariously, in movies.